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Work In Progress: Plaza Guemes, Buenos Aires

Plaza Guemes, oil on canvas, 76 x 96 inches, work in progress copyright ©2016
Plaza Guemes, oil on canvas, 76 x 96 inches, work in progress copyright ©2016

This is a long-term project, a painting of Plaza Guemes. Plaza Guemes is a public square in the Palermo Viejo district of Buenos Aires, Argentina. The painting is based on a small study that I did on location, as well as photomontages, and photographs and other source material that I developed during the course of my working on the study. You can follow the painting’s progress on my “Painter’s Workshop” page here.

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From Catherine Creek Trail 2: Pacific Northwest Plein Air 2016 / Maryhill Museum

From Catherine Creek Trail 2, oil on canvas, 20 x 16 inches, copyright ©2016
From Catherine Creek Trail 2, oil on canvas, 20 x 16 inches, copyright ©2016

From August 22-28 I participated in the Pacific Northwest Plein Air 2016 event in and around the Columbia River Gorge near Hood River OR and Maryhill Museum, Goldendale WA. The event was a competition, exhibition and sale, hosted by the Maryhill Museum. I was joined by my friend John Laney and 38 other artists, and did four paintings over a period of four days. The works were done alla prima and en plein air. Because the works would immediately be placed in a museum exhibition, I built the frames around the panels before doing the actual paintings. This made work a bit awkward, but in the end the weight of one painting with the heavy frame helped stabilize my setup during the first day’s 30 mph gusts of wind.

I have mixed feelings about these events, partially because I think that competition in art tends to place emphasis on the wrong qualities, much like what takes place in Olympic figure skating. Nevertheless, I did get a ribbon award, for “Best Mountain,” and was flattered that Terry Miura, the juror, gave it to me. I owe big thanks to my friend and colleague Cathleen Rehfeld for encouraging us to participate in what was overall a really enjoyable week of painting in the Gorge.

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My Portrait of Alvaro Izurieta

"Portrait of Alvaro Izurieta: My Friend and Colleague", oil on canvas, 20 x 16 inches, copyright ©2014

“Portrait of Alvaro Izurieta: My Friend and Colleague”, oil on canvas, 20 x 16 inches, copyright ©2014

When I visited Buenos Aires in 2008, I was fortunate to have met a very prominent Argentine painter, Alvaro Izurieta. He was opening a show at a gallery, Clasico y Moderno Espacio de Arte, near Plaza Guemes, where I had been painting. Alvaro did not speak English, and my Spanish was very limited, but we were able to communicate through his beautiful daughter Adela, who spoke English fluently. We’ve kept in touch over the years since my visit, and I was able to introduce Alvaro to my art dealer in Seattle, which exhibited some of his drawings in an exhibition a few years ago. More recently Alvaro suggested that we exchange portraits. I was very excited about this prospect, enthralled with the idea that my portrait would be painted by the great artist that had produced such a fine portrait of the Argentine writer Juan José Sebreli. Alvaro’s portrait of me was excellent, and very insightful. My own portrait of Alvaro is intended as a tribute to a serious painter, one who has produced an expansive and meaningful body of work over the years.

Alvaro Izurieta was a protegé of the sculptor Antonio Pujia, considered one of the greatest living artists in Argentina. Their work toured together recently in Argentina, and they share an eclectic approach to the production of art that is quite different than what we have come to expect of artists in the United States. These South American artists freely adopt and reinterpret diverse styles in their work, from a kind of Classical Realism to an early Modernist experimentation. In Pujia’s case you can see influences of Minimalism and Surrealism. In every instance, expression is the objective. They respect and reinterpret the language of modernism, but also explore traditional figurative modes if necessary. In doing so they turn the dominant narrative of the last century on its ear. It’s impossible to describe how refreshing this is.

Here is the portrait that Alvaro did of me. He also did a second much larger portrait which I may post later.

My Friend Bill, oil on canvas board, 12 x 16 inches, copyright ©2013

My Friend Bill, oil on canvas board, 16 x 12 inches, copyright ©2013

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Back from Moldova

Snohomish Riverfront, oil on panel, 24 x 36 inches, copyright ©2006
Snohomish Riverfront, oil on panel, 24 x 36 inches, copyright ©2006

The painting above has spent the last three plus years in Chişinău, Moldova, on loan to the American Embassy to Moldova, through the Art in the Embassies program. It has just returned from its long trip, and is currently at Davidson Galleries, in Seattle, in their inventory. Here is the relevant link to the U.S. Department of State – Art in Embassies Program: http://art.state.gov/artistdetail.aspx?id=144476

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Jun
26

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William E. Elston is a professional artist and teacher living in the Pacific Northwest. He has exhibited for over 40 years, and has works in numerous public and private collections, both in the region and internationally. He is best known for urban and rural landscape images. He is also a founding member of the Northwest Figurative Artists' Alliance.

William Elston teaches ongoing plein air classes during the Spring, Summer and Fall months. Classes are held at various locations throughout the greater Seattle area.

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