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I was sent this image of a painting that I did in 1983, by a person who had recently been gifted the work by her mother. The painting is of Spokane artist Charlie Palmer and his dog Buffy, behind his house on Ash, north of Gonzaga University. I haven't seen the painting since it was sold, shortly after it was completed.
Charlie & Buffy, oil on canvas, size unknown (approx. 40 x 30 inches), copyright ©1983
I was sent this image of a painting that I did in 1983, by a person who had recently been gifted the work by her mother. The painting is of Spokane artist Charlie Palmer and his dog Buffy, behind his house on Ash, north of Gonzaga University. I haven't seen the painting since it was sold, shortly after it was completed.
Charlie & Buffy, oil on canvas, size unknown (approx. 40 x 30 inches), copyright ©1983
The second in my Winter Lecture Series, Studio Practice for the Plein Air Painter, will take place on Saturday, December 8th, at 1 PM in my Panther Lake Studio. It will cover a broad range of material, from practical aspects of plein air painting, to the history of plein air painting and its contemporary incarnations.
The second in my Winter Lecture Series, Studio Practice for the Plein Air Painter, will take place on Saturday, December 8th, at 1 PM in my Panther Lake Studio. It will cover a broad range of material, from practical aspects of plein air painting, to the history of plein air painting and its contemporary incarnations.
I will be offering a series of lecture/demos this winter. They will take place in my studio and will cover the following subjects:
Lecture 1: Painting Really Large in a Really Small Studio
Lecture 2: Studio Practice for the Plein Air Painter
Lecture 3: Realism - Two Hundred Years of Revolution
I will be offering a series of lecture/demos this winter. They will take place in my studio and will cover the following subjects:
Lecture 1: Painting Really Large in a Really Small Studio
Lecture 2: Studio Practice for the Plein Air Painter
Lecture 3: Realism - Two Hundred Years of Revolution
This is an alla prima (at one sitting) painting of a favorite view of the Snohomish Valley, above Hwy 2. It's easy to see the level of particulate matter (ppm) in the color of the sky nearest the horizon. It's the smoke. I once read that the pollution around Paris made the Impressionists' skies more interesting. That which doth not kill us makes our paintings stronger.
This is an alla prima (at one sitting) painting of a favorite view of the Snohomish Valley, above Hwy 2. It's easy to see the level of particulate matter (ppm) in the color of the sky nearest the horizon. It's the smoke. I once read that the pollution around Paris made the Impressionists' skies more interesting. That which doth not kill us makes our paintings stronger.
I was invited by my friend Mehdi Fallahian to participate in a plein air paint out in Snoqualmie Washington. I encouraged a few of my students, Bin Li, Liz Talley and Min Zhong, to participate as well.
I drove to the Duvall Park & Ride, where I joined Bin and Min in Bin's truck. We then went off together to the event. As soon as we arrived I knew what I wanted to paint. There was an old boxy tavern named Smokey Joe's, about a block off Railroad Avenue on King Street. I set up across the street, and did the painting alla prima.
I was invited by my friend Mehdi Fallahian to participate in a plein air paint out in Snoqualmie Washington. I encouraged a few of my students, Bin Li, Liz Talley and Min Zhong, to participate as well.
I drove to the Duvall Park & Ride, where I joined Bin and Min in Bin's truck. We then went off together to the event. As soon as we arrived I knew what I wanted to paint. There was an old boxy tavern named Smokey Joe's, about a block off Railroad Avenue on King Street. I set up across the street, and did the painting alla prima.
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