Home / Blog
I will be offering a Plein Air Workshop Demonstration in Spokane, June 20 – 21, from 10 AM to 2 PM each day. Anyone can sign up for one or both days, and either watch as a demo, or paint along as a workshop. Those who choose to paint along will get some one-on-one critique throughout the duration of the workshop.
The painting site will be close to the downtown area, and will be either semi-rural or a park setting. The location will be announced to participants before the date of the workshop. Easels and materials for painting are not provided, and are the responsibility of the participant. An ebooklet is provided to participants with recommended materials list, recommended reading and other resources.
Space in this workshop is limited and it is already filling up, so I encourage you to sign up as soon as possible. You may do so at http://www.williamelston.com/classes/workshop_cal/ . Payment can be made via Paypal.
I am launching an Online Painting Critique Service. The service utilizes image annotation and interactive/collaborative software with whiteboarding capabilities, in order to create an interactive critique experience geared to a specific painting or group of paintings.
If you are a painter in need of a “third eye” to critique your paintings, and would like that painter to be a professional artist with a long exhibition and teaching history, then this service is for you. There is a trial discount available for the first session, so that you can test the service without making a substantial commitment.
You can find more information here: http://www.williamelston.com/classes/. Just click on the “Online Critiques” tab. This service is primarily for landscape, urban landscape and figurative artists.
A work-in-progress at Snohomish Valley viewpoint. This is a reworking of a panel that I was not satisfied with. I’m much happier with the changes, both compositionally and atmospherically. The intense backlit greens of the grasses give the landscape an ethereal, otherworldly quality that is very typical of the Pacific Northwest during this season. I’m working on this painting as a demonstration project for my plein air students.
Here is another image of a similar view, being worked concurrently on overcast days:
This painting is based on the view from the studio of the late Ako Lindley, where I was teaching painting workshops at the time. It’s a gray, overcast day, very typical of Seattle. Ako’s studio was in the 619 Western building, at one time called the Ace Novelty building, later condemned after the Nisqually Earthquake in 2001.
The painting became the cover image for a show at Davidson Galleries, also called Civil Architectures. It appeared on the showcard, and also on a tee shirt that was produced to advertise the exhibition. It was my last show at Davidson before I moved to Woodside/Braseth Gallery for about 6 years. I eventually went back to Davidson Galleries, and had several more shows there before Sam Davidson decided to phase out his Contemporary Painting and Sculpture department to focus on prints.
The opening reception for Civil Architectures was crowded, and music was provided by Jazz singer Jay Clayton, accompanied by the great trombone player and composer Julian Priester.
The painting was sold about 5 years later to Daniel Smith, Inc., the manufacturer and dealer in art supplies. They also leased the image to grace the cover of one of their annual catalogues. The price of the painting exceeded their budget by a considerable amount, so we agreed that I would take the difference in art supplies, some of which I’m still using almost 10 years later.
Today Pioneer Square is being transformed. The Alaska Way Viaduct, also damaged by the earthquake, is coming down and being replaced by a tunnel. Substantial renovation is planned, and galleries and shops that made the area unique are starting to relocate. The gallery scene itself is becoming less concentrated and less focused. The heart of Pioneer Square, Elliott Bay Book Company, moved out many years ago. Pioneer Square has always been at the mercy of land owners and property managers that have generally mixed high rent expectations with a low vision quotient. Older developers tended to favor more interesting mixed use development, but urban renewal fads favoring either high-end office space, or later high-end urban residential seem to create more instability for the neighborhood. I lived there during one of its brief periods of glory, in the 1990s, when the mix of galleries, artists’ live work-spaces, quaint shops and cabarets created rich material for paintings and café culture. I’ve missed it ever since.
Here is another image from those years in Pioneer Square:
Plein Air Classes begin mid April, with the first location being in Seattle. Interested parties can still get a deep discount on 8 or 16 Plein Air session credits, just look for the option to tweet about the class on your twitter account, (you’ll find this offer on a few pages of my website, in the sidebar.) Once your tweet is posted, you will be able to access a page that offers the discount, with options to pay via PayPal.
I’m having one last promotion for Plein Air Classes that begin in April. There is a counter on my website that indicates how long the promotion will last. While the counter is running, you can get deep discounts for 8 or 16 Plein Air session credits. If you’ve always wanted to do plein air painting, or if you are already a pleinairista and want to refine your technique, there is no better time to sign up!
More info at www.williamelston.com.